In recent weeks some publicity has been given to the notion
that certain institutions like Tate Britain or the National Trust are not
“exciting” or “relevant” enough for some sections of society. One’s instinctive
and ungenerous response is “long may that continue”, for the subtext underlying
these complaints is predictable and does not need unpicking here. More
generously, I would urge that for anyone seeking excitement and relevance –
whatever their background or circumstances – few places are potentially more
rewarding than Chartwell, the Kentish home of Sir Winston Churchill, and now in
the care of the National Trust.
The dining room at Chartwell
I visited Chartwell just over a week ago, on a day when the
rain was so heavy that a tour of the wonderful gardens was impossible, but
which meant that more time was available to spend inside the house. Here one
may view the domestic environment and many artefacts associated with the
greatest Englishman ever. Churchill earns that accolade, not only for seeing us
through the Second World War, but because of his extraordinary passion for
life. Though he lived to the age of ninety, he was a man seemingly constantly
aware of transience and mortality, and determined to live life to the fullest.
Admittedly very comfortably privileged by birth, and often
helped by being well-connected, he created his careers (plural) by himself. He
was fortunate in that dire circumstances contrived to permit him the unique
role as saviour of the nation and the postwar glories that followed, to
complete that “walking with fate” for which he had long prepared, despite
frustrating years in the political wilderness. Quite apart from that supreme
role, what he crammed into those ninety years was breathtaking. Though in some
respects a flawed personality, attention seeking, egocentric, often perceived
as wayward and politically fickle, prone to unwise decisions and to depressions
and excesses which hint at bipolar disorder (the curse / blessing of the
creative), Churchill remains hugely relevant and exciting as an example of what
a human being can achieve. He acknowledged, tongue in cheek, that history would
be kind to him because, not only did he create it, but he would write it up
afterwards. He knew exactly what he was doing. Chartwell is the living record.
In our current era, when so many people – often not very
happily, it seems – lay great emphasis on their “identity”, and usually on one
or more of the commonplace, fundamental and hence not very interesting “identity”
labels which one way or another we are all tagged with – ethnicity, gender,
sexual orientation, body shape, religion – Churchill remains the star of
multiple identity, of refusal to be typecast or imprisoned by a single vector
of personality. He’s just like us all, in a way, but writ large, with latent potential
fully realised, and fitted to the circumstances of the times. Each one of us carries
more than a single label. Each of us is a minority of one, and is to be
respected as such, a unique combination of many roles and characteristics,
inherited or otherwise; Churchill took this truth to the extreme and made the
best use of it.
Chartwell, with its rooms stuffed with memorabilia,
photographs, documents, paintings,
uniforms, medals, awards, and artefacts of all kinds, recalls Churchill’s
astonishing CV of multiple roles and abilities. Here we can find the soldier,
military strategist, constituency MP, world statesman, writer, orator,
gardener, builder, historian, wit, family man, bon vivant and socialite,
artist, and fighter - for freedom, for tolerance, for fairness, for the subtlety
and beauty of the English language, for a better and safer world, for the best
in everything, for life - all rolled into one superlative existence.
To compare this colossus of a man with some of the sour,
shabby, whining, thick, inarticulate, twisted, crabby, humourless, mean-spirited,
incompetent, single-issue, up-themselves individuals who strut (or waddle) today’s
political stage (and not just in this country) is to be deliberately and unavoidably
cruel. For Churchill was a giant who could be at home in the highest society,
who could negotiate with the great and the good and the not so good from around
the world, who could be reduced to tears by the plight of ordinary families blitzed
out of their homes, who could mastermind the winning of a world war almost
single handedly, a man for whom everything
was his oyster. And his cigar, and his champagne. One can’t imagine Churchill
yelling impotently at Hitler to “get lost”, or having much truck with some
impudent harpy from television news, or inspiring a nation facing imminent
invasion by tweeting “… we shall never … oh bugger, I’ve run out of
characters”. His was a more substantial age than ours; is anything flimsier
than software? His was an age when victims in their millions were bombed,
imprisoned, tortured, starved, gassed, shot, incinerated, thrown anonymously
into huge pits. Such were the fates that he saved us from, in an era when
racism and fascism were more than lazy reflex hyperbolic slurs, an era in which
victims weren’t offered counselling or compensation or someone’s head on a
plate or star billing on daytime television after being offended by a text
message or an act of unwanted affection.
When we crave excitement and variety and relevance – and
above all inspiration as human beings – Churchill is there. Today we enjoy the
basic freedoms that he was so central in defending. Those freedoms still need
protecting and nurturing, for there are plenty of people around ready to
destroy them. Among our freedoms is that of not being trapped by simplistic
notions of identity, the freedom to be as much as one is capable of in the
short time available, the freedom to make the best of it.
Go to Chartwell and be inspired to do something with your life.
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