Last night I watched the repeat of the third and last programme
of Dr. Olivia Horsfall Turner’s highly intelligent, well researched, superbly
presented and thoroughly excellent BBC TV series on “Unbuilt Britain”. The
previous two programmes included an examination of Paxton’s “Great Victorian
Way” intended to circle inner London, proposals for impossibly massive canals
across central Scotland to improve naval defence, and pioneering visions for a
fixed crossing of the English Channel.
This week’s programme focused on unrealised plans for London
and Glasgow. It was an absolute treat. First of all it compared the merits of
the Wren, Evelyn and Hooke proposals for rebuilding London after the Great Fire
of 1666. Thanks to commercial imperatives and the urgent requirement to rehouse
the displaced citizens, none of these schemes came to fruition, except - in
modified form - Wren’s masterpiece, St Paul’s Cathedral, and his other City
churches built after the Fire. The second half of the programme was devoted to two
postwar plans for the redevelopment of Glasgow, a city that had suffered
greatly from the attentions of the Luftwaffe, and which long before WW2 had
been a by-word for tenement living, slums, congestion, violence, and other assorted
deprivations.
The two competing schemes were by Patrick Abercrombie, who
advocated decanting the overcrowded inner districts to exurban New Towns (e.g.
Cumbernauld and East Kilbride), and Robert Bruce, who devised a ruthlessly
modernistic plan heavily influenced by Le Corbusier. Bruce’s proposal would
have erased the existing city, with its wealth of varied and inspired
architecture, along with its close-knit communities, and replaced it with a
gridiron of concrete and glass monoliths, making the most extreme excesses of
East Berlin or Novosibirsk look warm and cuddly in comparison. This monstrous idea
came terrifyingly close to implementation, but by the end of the 1940s had been
abandoned.
What Glasgow was left with were the New Towns, some sporadic
outcrops of high rise, an urban fabric largely untouched and – once decades of
grime had been blasted away – magnificent to the eye. In due course it would
become the fashionable and lovely city we know today, a treasure trove of
architectural gems, but last night’s programme suggested that it had had a
narrow scrape. On Clydeside in those
early postwar years the crude forces of politics and finance were seemingly allowed
to operate with little to check them, and scant concern was shown for the
softer factors crucial to satisfactory urban life. I find it rather disturbing
that Bruce’s plan, in particular, was taken so seriously, and that he wasn’t
taken away by men in white coats.
Interestingly, though, it was intuited early on that both of
these proposals needed some assistance if they were to have a chance of success;
their victims – sorry - beneficiaries, had first to be persuaded, softened up.
Thus a film was shown at local cinemas, a work of naked propaganda said to be highly convincing as regards the
merits of the Bruce plan, right up until the final few moments, when the
jaw-dropping horrible reality of this abysmal scheme, illustrated by a tacky,
clunky model, became all too obviously apparent. The propaganda became
self-defeating at that instant, and the audience must have filed out in shock
and disbelief at what was going to be done to them, to their lives, their
memories, their places, their city. Meanwhile, Patrick Abercrombie – who famously had designs
upon London as well, most of them unrealised, thankfully – also made a film, a
ghastly Cholmondeley-Warnerish production in which the weirdly monocled protagonist
loftily assumed that the vast upheaval and experiment in social engineering
that his scheme implied was unquestionably good for Glasgow and Glaswegians,
and would be welcomed. Again, he was rumbled, and again – perhaps with hindsight
aided by the creations of Harry Enfield – one is amazed that the whole performance
wasn’t dismissed as a spoof.
However, it wasn’t. The line between good intentions and
overweening arrogance is sometimes hard to discern, but perhaps we shouldn’t be
too harsh on what were the standards of the time, not long after the end of a
war during which the population had become inured to receiving condescending and
irritating instructions on how they ought to behave. Experts and authorities
were respected in those days. Sometimes. Wonder how they lost it.
In Glasgow in the 1940s – still regarded as the second city
of the Empire - the likely subjective, aesthetic, social and environmental
consequences of what was being suggested were ignored; only the vested
interests of political power and commercial gain were deemed to be relevant to
the discussion. The poor sods who would have to up sticks and go and live in
filing cabinets in the sky or out in the middle of nowhere weren’t of any real interest in the grand scheme of
things. The proposals could be rationalised with vaguely socialist smarm about
how cosy it would be if everyone lived equally – equally, that is (architects
and planners excepted), in habitations of equal awfulness, all part of the preppy
postwar zeitgeist, the weary hope for a new and better world, the adoration of
all things white and cuboid and soulless, the infatuation with meaningless
grassy “lungs”, all carefully, neatly, psychotically arranged - in low density
angst, hygienic resentment, and fully functional right angled seething, with
the added inducements of an inside loo and a 23rd storey balcony to jump off.
Of course it isn’t like this now, is it. Is it? ‘Course not.
We know better now, don’t we. We know that there has to be more to a city than
this, even if Cumbernauld New Town does occasionally make it into the catalogues
of crap Britain. All about money and power? What? Was it ever? Don’t be ridiculous.
In my “Tourist In Your Own Town”, currently being prepared
for publication, I examine the kinds of subjective factors that feature in the
appreciation of cities, factors which would have been so cruelly denied in
Bruce’s Glasgow, Le Corbusier’s Paris, or Robert Moses’ Manhattan, had any of
these atrocities been allowed to proceed. Atro Cities, now, there’s an apt
descriptor. No, the core requirement is for a sense of place, and “Tourist”
delves into that topic in detail, together with much more - in what should be a
rattling good read. Watch this space.
Yes, it would be nice to think we have come a long way in
our planning activities since those flickering
monochrome days of postwar austerity. Maybe we have. Certainly we have access
to more convoluted wool-pulling techniques, to fancier statistical obfuscation
algorithms, we are quite at home with snazzy computer simulations and dodgy
data mashups, we simply lurve virtual
realities and visualisations; we’re always hugely impressed by the latest software
package (yes, it has to be a package, we don’t want anything that might be easy
to get into). Etc, etc.
OK, I’m starting to get stroppy. Let’s turn to high speed
rail. In principle, a Good Thing. Currently in the UK we have a kind of demented
Thomas the Tank Engine character who keeps puffing “I know I’m right, I know
I’m right”, every time more voices join the opposition to HS2 and whenever the ludicrously
expensive and comprehensively daft project is shown up for what it is. The greater
the opposition, the louder he chuffs. So far, he’s getting away with it. I
wonder who he is?
“Is your name not
Bruce, then ?” “No, it’s Patrick”. “That’s going to cause a little confusion”.